IV. The Taoist Tradition
If thou wouldst
complete the diamond body with no outflowing,
Diligently heat the
roots of consciousness and life.
Kindle light in the
blessed country ever close at hand,
And there hidden, let
thy true self always dwell.
- Hui Ming Ching
The Taoist conception
of mystical physiology seems a lot less mystical than plain physical as common names of
physical organs were used to designate psycho-physical functions. Especially in regards to this is the contribution
of the liver, heart, kidneys, lungs, and spleen to the refining of the inner elixir of
immortality. Many discrepancies are found in
the mapping of the Taoist subtle body mechanism, but this was because each adept in
utilizing his power of "interior vision" (nei-che) was personal in his
account. "In shutting the eyes one has
the interior vision of the five organs, one distinguishes them vividly, one knows their
place."[i] The main concern of the adept was success in his
practice, and this was sufficient to vindicate his view.[ii]
Nevertheless, their
is a consensus among the Taoists as well as the ancient Chinese medical authorities that
the body consists of three regions, the lower, median, and superior, corresponding to the
stomach, chest, and head.[iii] These regions are also called "fields of
cinnabar," cinnabar being the major ingredient of the Taoist alchemical elixir. The lower field of cinnabar has two important
centers, the "gate of life" located a few inches below the navel, and the
"yellow court" at the solar plexus. A
vast assortment of rather poetic synonyms have been concocted to refer to these three
regions.
Each of these
three regions is the home of three very vital substances, ching, ch'i, and shen
or sperm, breath, and spirit.[iv] The lower region houses the ching, the heart or
median region the spirit, and the superior field of cinnabar houses the breath.[v] Three "worms" are also to be found in
these regions, and they are responsible for aging and death.[vi] A host of gods also put up at each site.
As with the
Indian model, the Taoist subtle body has many channels, two of which are of chief concern. The "lesser heavenly circulation" is a
channel that connects the heart with the lower belly or gate of life according to Chang
Chung-yuan.[vii] Luk calls it the "channel of thrusting"
and has it connecting the perineum with the center of the superior field of cinnabar, the
ni-wan, though not via the spinal columns.[viii] The "grand heavenly circulation" is
divided into two courses. The to-mu or
controlled course begins at the tip of the spine, rises up the back to the ni-wan
where it curves and ends at the upper lip. Its
compliment, the jen-mo or involuntary course, begins at the lower lip and descends
to the tip of the spine. Along the tu-mo
there are seven centers, but these do not play so central a role as do the centers in the
Hindu and Buddhist systems.
Other circulations
are spoken of as there were different approaches according to the interior vision of the
adept and the results sought. Probably the
most important practice, directly related to immortality, is called embryonic or fetal
breathing. It is so named because the usual
respiration (post-natal) ceases and an inner circulation replaces it. "In returning to the lowest, in returning
to the origin, one drives away old age, one returns to the state of the fetus."[ix]
Before a man is born,
he is one with life (ming) and human nature (hsing). Hsing is the spiritual consciousness in man
and ming is the "substance of life and death."[x] Ming is where the life-energy ch'i
is produced; hsing is "where the spiritual consciousness of man has its
origin."[xi] Ming or life is identified with the
involuntary descending course, hsing with the controlled ascending channel. Before birth these two are connected, forming a
wheel of unity. At birth they are separated. "When the embryo moves and the embryo vesicle
is torn, it is as if a man lost footing on a high mountain: with a cry the man plunges
down to earth, and from then on human nature can no longer see life nor life human
nature."[xii] Thus, extremely important is uniting hsing
and ming and re-entering the "womb" for further development.
Another way to view
man's "fall" concerns itself with his generation from the Tao and the function
of the three essentials, ching, ch'i, and shen in their immaterial or
primordial dimension. In their primordial
dimension shen is spiritual consciousness, ch'i primordial breath, and ching
essence.[xiii] The alchemy that leads to immortality and whose
essential materials are these three elements thus takes place on both a personal and
cosmic plane.
The process of
generation of phenomena or the "ten thousand things" indicates the path of
return for the prospective immortal. Says the
forty second chapter of the Tao Te Ching:
The Tao gave birth
to the One;
The One gave birth
to the Two;
The Two gave birth
to the Three;
The Three gave
birth to the myriad creatures.[xiv]
The Tao has two
aspects: the Tao of Transcendence (wu-wei) referred to above simply as Tao, and the
Tao of Immanence (yu-wei, t'ai-chi) referred to as "the One."[xv] The Tao of Transcendence though the primal
generator is unmoved in its generating and is not identical to the objects generated. The One or t'ai-chi is chaos and out of
this is born the "Two" or yin and yang. "From the generated state of chaos comes by
movement the principle yang, and by quiescence the principle yin.[xvi] These three, then, t'ai-chi, yin and
yang are responsible for the birth of the cosmos with its innumerable creatures.
"By reversing
the process of generation, that is, by proceeding backward from the myriad creatures and
the myriad spirits, one can arrive at the state of simplicity, or t'ai-chi. It is at this point that the potency for standing
before the Tao of Transcendence is made available. By
emptying the Yellow Court, the potency for the absolute is clarified.[xvii] Thus, the generating process can be
reversed and immortality attained for, "Tao is forever and he that possesses it,
though his body ceases, is not destroyed."[xviii]
The myriad things
returning lead to the Three,
The Three to the
Two,
The Two to the One,
The One to the Tao
of Transcendence.[xix]
This reversal is
effected through the alchemical refining of the three microcosmic elements, the ching,
ch'i, and shen into their macrocosmic counterparts. Thus, the yogi's motto is: "Through
compounding sperm (ching), the breath (ch'i) is transformed; through
compounding the breath, the spirit (shen) is transformed.[xx]
These three are
congealed in the yellow court into t'ai-chi. Saso
maintains that the yellow court has no physical location but is rather the "void
center" within man, "a place from which the source of life works
invisibly."[xxi] Nevertheless, other works locate this center
at the solar plexus, and carry out their alchemical refinements there. The three principles, then, when congealed form a
"pill of immortality", which, according to Saso, provides the occasion for
meditation upon the Tao of Transcendence.[xxii] The process is a return to non-being, using the
term non-being to designate a "mode of being entirely different (transcendent) from
that of the thing generated."[xxiii]
Whereas non-being
surely points to a non-personal, undifferentiated ground, most Taoists represent
immortality as being in a body. To the
Taoist the body was the principle of unity as the common dwelling place of the spirits,
souls, the three principles in short, all that constituted the life and person of
man.[xxiv] "It is only in the body that it is possible
to obtain an immortality which might continue the personality of the living, and which
would not be divided into several independent personalities drawing each to its side (of
habitation) [at death].[xxv] Therefore, an immortal body must be fabricated
inside the mortal one or "melted out."[xxvi] Out of the three principles is congealed an
immortal fetus in the yellow court which, when mature, can be "wafted up into heaven
in broad daylight."[xxvii] Some block prints depict the Immortal as
departing from the top of his head like a genie from a bottle.
The following
description of the alchemical process is taken from The Secrets of Cultivating
Essential Nature and Eternal Life (Luk's Taoist Alchemy) a work of the nineteenth
century. By far the most important
preliminary is the conservation of semen which on no account may be lost or expended
during the entire alchemical process. The
generative force should also be augmented through swallowing saliva. Next deep breathing and concentration are utilized
to generate heat in the lower belly which serves as the lowest cauldron or furnace in this
inner alchemy. "Bellows" where
inhalation is accompanied by the sinking of the abdomen and exhalation by its rising, is
the proper means to generate heat. Heat is
all important. "From the start to finish
the successful practice of immortality is by means of fire."[xxviii] In Rawson's account, an inner circulation of ch'i
is mentally directed around the grand heavenly circuit.
As the process takes on its own initiative it picks up "fire" at the
heart which when it reaches the lower belly heats up the cauldron.[xxix]
Whenever the
generative force seeks outlet in sex, rather than give into the urge, deep breathing is
utilized to send it around the "grand circulation orbit" (see drawing) for
purification. Then it is raised to the lower
belly where heat further purifies it. Next it
ascends to the yellow court where it is transmuted into vitality. Rising through the thrusting channel to the brain,
it stimulates the dormant vital breath in the ni-wan which is transmuted into
spirit. When vitality unites with pre-natal
vital breath, it causes a bright light to manifest which is like moonlight. This light or spirit should then be driven down
the involuntary course to the lower cauldron for more refining. Concentration between and behind the eyes as well
as the rolling of them also help to awaken the hidden light in the superior cinnabar
region.
The spirit is united
with vitality in the lower cinnabar field forming an immortal fetus. Under the constant pressure of the pre-natal
vitality and spirit through the "circulation of the light" in the grand heavenly
orbit the ni-wan center emits ambrosia which, descending via the involuntary course
nurtures the immortal seed, the developing fetus. At
this point all breathing stops and embryonic breathing takes over.
Concentration upon
the fetus gives rise to a golden light, a golden elixir, within the white light in the ni-wan. With the union of these two, the immortal fetus is
ready to emerge. The practitioner
"should now 'stir the thought' of leaping into the great emptiness which will open
the heavenly gate at the top of the head so that spirit can leave the human body to appear
In countless bodies in space.[xxx] Exit from the body must be cultivated slowly
and with great care lest a demon take possession of the body. Eventually, through further cultivation
consciousness returns to emptiness.
Sexual techniques
also provide a means of attaining immortality. In
ancient times, there were both public and private varieties of such practices. Both relied on the retention of semen during
intercourse. The results to be obtained from
the practices ranged from effecting a cure of a sickness to attaining immortality. "Each time the Essence [ching] is
little, one is sick and when it is exhausted, one dies."[xxxi] Says Ko Hung, perhaps the best known Chinese
alchemical author, "the most important (result) consists uniquely in 'making the
Essence return to repair the brain.'"[xxxii]
The practice is
usually described from the male vantage point of view, though it could equally be
practiced by women. From the male point of
view, the discipline involves copulating so as to make the woman emit her yin-essence
as much as possible.[xxxiii] This yin essence is then drawn into
the man, mixed with his yang-essence and combined with ch'i and shen. It is then further nourished until, one day, it is
raised to the ni-wan through visualization and breath regulation.
Not only is it
essential that one conserve and not emit his own ching, but he must also increase
it through exciting it under the influence of copulation.[xxxiv] The woman must be greatly aroused so that
her yin emission is copious. Various
details are outlined by the "art of bedchamber" literature, some describing
among other things the appropriate number and depth of thrusts to be used. Many texts advise copulation with numerous
partners for the maximum benefit. Of vital
importance, however, is the prevention of ejaculation and two techniques seem to have been
most widely employed in regard to this. In
one the practitioner simply removes his penis to perhaps the depth of one inch when he
becomes to excited. The other seems to
involve the attainment of orgasm, which is suppressed and diverted from emission by
pressure exerted at the perineum by the hand.
A Book of the
Immortals says: the principle of making the Essence return to repair the brain consists in
copulating in order to agitate the Essence violently; (then) when it is about to be
emitted, one quickly seizes (the penis) with the two middle fingers of the left hand
behind the scrotum and in front of the anus, one presses hard, and slowly expels the
Breath through the mouth, at the same time grinding the teeth several tens of times
without holding the Breath. Then, when one
emits the Essence, the Essence cannot emerge, but it returns from the Jade Stem (the
penis) and rises to enter the brain.[xxxv]
There seems to be a
marked difference between this practice and the aforementioned one where orgasm is not
diverted but rather is "distilled." The
result, however, is the same.
the men will
keep (their minds fixed on) their loins, firmly preserving the Essence and distilling the
Breath, which follows the spinal column and rises to the Ni-huan against the
current; this is what is called 'causing to return to the Origin' huan-yuan; the
women will keep (their mind fixed on) their hearts, nourishing the spirits, distilling an
unchanging fire, making the Breath descend from the two breasts to the loins, whence it
again mounts through the spinal column and also goes to the Ni-huan: this is what
is called 'transforming the real,' hua-chen.
After a hundred days, one reaches Transcendence.
If one practices (this procedure) for a very long time, one spontaneously becomes a
Real Man, and, living eternally, one traverses the centuries. This is the method of not dying.[xxxvi]
As Gulik remarks
after quoting the above entry, this is one of the rare cases where procedures for the
woman are also described.[xxxvii]
The 'rising against
the current' and 'making the Essence return to repair the brain' both refer to the same
observation that the semen in its original form flows as a current downward from the ni-wan
in orgasm. "When man and woman unite in
sexual congress, the semen flows down from the ni-huan spot in the brain,
descending along the spine to the bladder and the kidneys; then it is emitted and becomes
an impure substance. This is semen as
activated by the sexual urge."[xxxviii] For the reversal of the downward flow and
the initiation of the alchemical process, it was not mandatory to make use of the opposite
sex since masturbation was also an accepted means.[xxxix] This, obviously, would not involve the
intake of yin-essence.
According to
Jolan Chang, the art of bedchamber was originally of the mutually benefiting kind as
quoted above.[xl] Later it was debased and in its one-sidedness
became a kind of "sexual vampirism" wherein men or women would seek to exploit
the other's ching. The practice of
breath regulation likewise underwent changes in time.
Originally the concern was with the circulation of the outer air which was inhaled
to replace the dead air which was exhaled. Breath
retention or the absorption of breath was at this time equivalent to embryonic breathing.[xli] Later, much criticism was waged at the
"adepts of the external breath" and the discipline of manipulating the internal
breath replaced it for the most part. Finally,
as the notion of the soul changed under the influence of Buddhism, so it seems did the
concept of immortality. There is no doubt
that immortality was still often conceived as a simple extension of the present life in
either a material body or a refined one. However,
one finds the image of a bodily immortality juxtaposed on immortality as non-being. At least two later Taoist works, The Secrets of Cultivating Essential Nature and Eternal
Life and The Book of Consciousness and Life
(Hui Ming Ching), have the immortal spirit
rising out of the top of the head. According
to the former work, "the stirring of the thought of emptiness" is the means by
which the immortal fetus leaves the "womb" and emerges as a separate entity. Both texts, however, have non-being as a further
and ultimate stage. The Hui Ming Ching calls
it "Empty
Infinity" and concludes as follows:
Without beginning,
without end,
Without past,
without future.
A halo of light
surrounds the world of the law.
We forget one
another, quiet and pure, altogether
powerful and empty.
The emptiness is
irradiated by the light of the
heart and of
heaven.
The water of the
sea is smooth and mirrors the
moon in its
surface.
The clouds
disappear in blue space; the mountains
shine clear.
Consciousness
reverts to contemplation; the moon-disk rests alone.[xlii]
[i] Henri Maspero, "Les Procedes de Nourrir le Principe Vital dans la Religion Taoiste Ancienne" (Journal Asiatique 229, 1937), pg. 218.
[ii] Ibid.
[iii] Ibid, 182-3.
[iv] Chang Chung-yuan, Creativity and Taoism (New York: Harper and Row, Publishers, 1970), pg. 136.
[v] Buddhist and Taoist Studies I, ed. Michael Saso and David W. Chappell (Hawaii University Press of Hawaii, 1978), pg. 67.
[vi] Ibid, 64.
[vii] Creativity, 144.
[viii] Lu K'uan Yu, Taoist Yoga (New York: Samuel Weiser, Inc., 1970), pg. 124.
[ix] "Les Procedes," 198.
[x] Creativity, 136.
[xi] Ibid, 137.
[xii] Hui Ming Ching in The Secret of the Golden Flower, translator, Richard Wilhelm (New York: Harcourt, Brace & World, Inc, 1962), pg. 70.
[xiii] Creativity, 135-6.
[xiv] Buddhist and Taoist Studies I, Pg. 5.
[xv] Ibid, 11.
[xvi] Ibid.
[xvii] Ibid.
[xviii] Arthur Waley, The Way and Its Power (New York: Grove Press, Inc., 1958), pg. 162, (chapter 16, Tao Te Ching)
[xix] Buddhist and Taoist Studies I, 16.
[xx] Creativity, 136.
[xxi] Buddhist and Taoist Studies I, 14.
[xxii] Ibid, 16.
[xxiii] Ibid, 17.
[xxiv] "Les Procedes," 181.
[xxv] Ibid.
[xxvi] Secret of the Golden Flower, 70.
[xxvii] Buddhist and Taoist Studies, 55.
[xxviii] Taoist Yoga, 46.
[xxix] Philip Rawson and Laszlo Legeza, Tao (New York: Avon Books, 1973), pg. 28.
[xxx] Taoist Yoga, XVII.
[xxxi] "Les Procedes," 380.
[xxxii] Ibid, 411.
[xxxiii] John Blofeld, The Secret and the Sublime (New York: E.P. Dutton & Co, Inc., 1973), pg. 134.
[xxxiv] "Les Procedes," 380.
[xxxv] Mircea Eliade, Yoga (New Jersey: Princeton University Press,1971), pg. 413.
[xxxvi] Ibid, pgs. 412-3.
[xxxvii] R.H. Gulik, Sexual Life in Ancient China (Leiden: E.J. Brill, 1961) pg. 199.
[xxxviii] Ibid, 282.
[xxxix] Tao, 28.
[xl] Jolan Chang, The Tao of Love and Sex (New York: E.P. Dutton, 1977), pgs. 70ff.
[xli] "Les Procedes," 229.
[xlii] Secret of the Golden Flower, 77-8.